
Last week, as I sped down the road in Scottsdale Arizona, I slowed down at the sight of a brand new custom edition Chrysler PT Cruiser with faux wood panels on the sides, clearly channeling the "Woodies" of the 1930's, 40's, 50's and 60's. A few days later, a photographer I know showed me how he had updated one of his fancy cameras by affixing distressed leather to the body. The new designed to look old. The delicate designed to look tough. For better or worse, everywhere I look now I see the paradoxes that served to jumpstart the writing of Robyn Waters' The Hummer and Mini: Navigating the Contraditions of the New Trend Landscape.