The film will create connection where the book could not.
I so wanted to love this book. I wanted so bad to love what I was sure would be subtle political commentary. I wanted to learn more about the global economy and to suffer along with characters who try in vain to buck a system of racism and dictatorship.
And I tried. I really did. I re-read paragraphs I didn't like. I put off reviewing the novel so that I could really ruminate on it. I forced my bookclub to talk about it for a good hour longer than usual.
Despite the premise and timeliness of the subject, the cited research and constant presence on the wall of Employee Recommendations at my favorite indie bookstore, I just could not bring myself to care about any of the characters. At first I was sure that the lack of connection I felt to the writing had to do with the British stoicism that must, must be a characteristic of all UK writers. The uninspired dialogue must have been intended to be hyper-realistic. I tried to see the essence of innocence, femininity, and strength that embody the cover art between the lines of text. The problem I think, is that with such sensitive subject matter - the impact of war on individuals and separation between first- and third-world priorities - we as everyday first-world readers need our writers to lead us through the muck and mire. I'm not saying I want my every opinion shaped by left-leaning citizen journalists, but I do need a clearer picture of the emotions that true globalism and transparency will inevitably bring to the surface.
